former species is, most probably, the memory of brutes; and its many sources of pleasure to them, as well as to ourselves, are considered in the first part. The latter is the most perfect degree of memory, and forms the subject of the second. When ideas have any relation whatever, they are attractive of each other in the mind; and the perception of any object naturally leads to the idea of another which was connected with it, either in time or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects; hence, also, in some degree, the love of our country, and the emotion with which we contemplate the celebrated scenes of antiquity. Hence a picture directs our thoughts to the original : and, as cold and darkness suggest forcibly the ideas of heat and light, he who feels the infirmities of age, dwells most on whatever reminds him of the vigour and vivacity of his youth. The associating principle, as here employed, is no less conducive to virtue than to happiness; and as such, it fréquently discovers itself in the most tumultuous scenes of life. It addresses our finer feelings, and gives exercise to every mild and generous propensity. Not confined to man, it extends through all animated nature; and its effects are peculiarly striking in the domestic tribes. THE PLEASURES OF MEMORY. PART I. TWILIGHT'S Soft dews steal o'er the village green, With magic tints to harmonize the scene. Stilled is the hum that through the hamlet broke, When, round the ruins of their ancient oak, The peasants flocked to hear the minstrel play, And games and carols closed the busy day. Her wheel at rest, the matron charms no more With treasured tales of legendary lore. All, all are fled; nor mirth nor music flows To chase the dreams of innocent repose. All, all are fled; yet still I linger.here! -What pensive sweets this silent spot endear! Mark yon old mansion, frowning through the trees, Whose hollow turret woo's the whistling breeze That casement, arched with ivy's brownest shade, See, through the fractured pediment revealed, Long may the ruin spare its hallowed guest! The heart's light laughter crowned the circling jest ; O'er infant innocence to hang and weep, Murdered by ruffian hands, when smiling in its sleep. Marked each pure thought, ere registered on high: Still, still ye walk the consecrated ground, And breathe the soul of inspiration round.. 어 As o'er the dusky furniture I bend, + Each chair awakes the feelings of a friend. With old achievement charms the wildered sight; As through the garden's desert paths I rove, Soared in the swing, half pleased and half afraid, Childhood's loved group revisits every scene, The school's lone porch, with reverend mosses grey, Just tells the pensive pilgrim where it lay, Mute is the bell that rung at peep of dawn, Quickening my truant-feet across the lawn; Unheard the shout that rent the noontide air, When the slow dial gave a pause to care. Up springs, at every step, to claim a tear Some little friendship, formed and cherished here! And not the lightest leaf, but trembling teems With golden visions, and romantic dreams! Down by yon hazel copse, at evening, blazed The gipsy's faggot-there we stood and gazed; |