Milton's Theatrical Epic: The Invention and Design of Paradise Lost |
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Page 36
... light As from a sky . ( 1.710-715 ) ( 722-730 ) In Paradise Lost and Britannia Triumphans the palaces rise from the ground , are seen from without and from within , and have gates that open . But there is a significant difference . The ...
... light As from a sky . ( 1.710-715 ) ( 722-730 ) In Paradise Lost and Britannia Triumphans the palaces rise from the ground , are seen from without and from within , and have gates that open . But there is a significant difference . The ...
Page 87
... light for both a visible and an invisible godhood are strikingly conceived , subtle in emotional tonalities , and rich in theo- logical suggestiveness . “ God is Light , " sings the epic narrator in an in- vocation to Book III that ...
... light for both a visible and an invisible godhood are strikingly conceived , subtle in emotional tonalities , and rich in theo- logical suggestiveness . “ God is Light , " sings the epic narrator in an in- vocation to Book III that ...
Page 148
... light imag- ery , surely does not suggest a visualization of God the Father . 6. In disclosing the relationship of Father and Son , the light imagery gives visual expression to the crucial distinction , discussed in Chapter 1 , that ...
... light imag- ery , surely does not suggest a visualization of God the Father . 6. In disclosing the relationship of Father and Son , the light imagery gives visual expression to the crucial distinction , discussed in Chapter 1 , that ...
Contents
THE INWARD VISION I | 1 |
INCONSTANT THEATRICAL DESIGNS | 16 |
THE VAST DESIGN EMERGES | 40 |
Copyright | |
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Milton's Theatrical Epic: The Invention and Design of Paradise Lost John G. Demaray No preview available - 1999 |
Common terms and phrases
action Adam Adam and Eve angels appears Argument beginning Book Cambridge character Christian classical Comus court created critical dance depicted devils disguise divine draft drama Dryden early earth earthly Eden edition effects English epic episodes Essays eternal evil eyes Fall Father figures final future Garden hand Heaven heavenly Hell heroic human images Italian Italy John Jonson's king later light lines literary logical London man's masque meaning Michael Milton Mount narrator nature notes opening outlines palace Paradise Lost Parents passage perfect performed persons play poem poet poetic poetry present prophetic reader reason references Renaissance representation revel sacred Satan scene scenic shows song speaking spectacle spiritual stage structure Studies suggest takes theatrical themes things tion traditional tragedy Triumph universe verse vision writes York