Art and Literature: A Course of Selected Reading by Authorities (with Illustrations). |
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Page 21
... Sculpture and painting , especially music and poetry , are freer than architecture and the art of gardening . One can also shackle them , but they disengage themselves more easily . Similar by their common end , all the arts differ by ...
... Sculpture and painting , especially music and poetry , are freer than architecture and the art of gardening . One can also shackle them , but they disengage themselves more easily . Similar by their common end , all the arts differ by ...
Page 24
... sculpture and music , those two opposite extremes , is painting , nearly as precise as the one , nearly as touching as the other . Like sculpture , it marks the visible forms of objects , but adds to them life ; like music , it ...
... sculpture and music , those two opposite extremes , is painting , nearly as precise as the one , nearly as touching as the other . Like sculpture , it marks the visible forms of objects , but adds to them life ; like music , it ...
Page 81
... sculpture was the characteristic fine art of antiquity , painting became the distinguishing fine art of the modern era ? No true form of figurative art intervened between Greek sculpture and Italian painting . The latter took up the ...
... sculpture was the characteristic fine art of antiquity , painting became the distinguishing fine art of the modern era ? No true form of figurative art intervened between Greek sculpture and Italian painting . The latter took up the ...
Contents
CHAPTER | 3 |
THE SUTTON HOO SHIP BURIAL II | 11 |
THE FINE ARTS | 18 |
Copyright | |
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admire æsthetic ancient Anglo-Saxon Anglo-Saxon England architecture artist audience beauty Beowulf Cædmon called century character Chaucer Christian Church colour Constable criticism Cubism delight drama effect Elizabethan England English expression eyes fact feeling Flemish French genius George Eliot give greatest human ideal ideas imagination imitation Impressionists influence inspiration interest invention Italian Italy kings landscape language lecture literature living London Lord David Cecil lyric matter MAURICE BARING mediæval Michelangelo Middle Ages mind moral nature never novel novelists object painters painting passion perhaps period picture play poem poet poetry political portrait Pre-Raphaelite produced prose religion Renaissance Roger Fry Romantic scenes sculpture sense sentiment Shakespeare society soul spirit story style Sutton Hoo T. S. Eliot taste tell theatre things thought tion to-day true truth Turner verse Victorian whole words Wordsworth writing