Art and Literature: A Course of Selected Reading by Authorities (with Illustrations). |
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Page 32
... mediæval folk and ballad literature , but this is work which grew from the very essence of everyday life rather than from the minds and imaginations of professional writers . Literature , plastic art , visual art , indeed every ...
... mediæval folk and ballad literature , but this is work which grew from the very essence of everyday life rather than from the minds and imaginations of professional writers . Literature , plastic art , visual art , indeed every ...
Page 74
... mediæval art truth is first , beauty second ; in modern art beauty is first , truth second . The mediæval principles led up to Raphael , and the modern principles lead down from him . CHAPTER III THE ENGLISH RENAISSANCE The Background ...
... mediæval art truth is first , beauty second ; in modern art beauty is first , truth second . The mediæval principles led up to Raphael , and the modern principles lead down from him . CHAPTER III THE ENGLISH RENAISSANCE The Background ...
Page 315
... Mediæval , 32 , 82 Old English , 16 Restoration , 128 Restricted art , 21 South African , 291 Victorian , 203 Arnold , M. , 176 , 238 ART and music , 1 , 299 and social development , 242 and the People , 243 Danish Influence on Anglo ...
... Mediæval , 32 , 82 Old English , 16 Restoration , 128 Restricted art , 21 South African , 291 Victorian , 203 Arnold , M. , 176 , 238 ART and music , 1 , 299 and social development , 242 and the People , 243 Danish Influence on Anglo ...
Contents
CHAPTER | 3 |
THE SUTTON HOO SHIP BURIAL II | 11 |
THE FINE ARTS | 18 |
Copyright | |
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admire æsthetic ancient Anglo-Saxon Anglo-Saxon England architecture artist audience beauty Beowulf Cædmon called century character Chaucer Christian Church colour Constable criticism Cubism delight drama effect Elizabethan England English expression eyes fact feeling Flemish French genius George Eliot give greatest human ideal ideas imagination imitation Impressionists influence inspiration interest invention Italian Italy kings landscape language lecture literature living London Lord David Cecil lyric matter MAURICE BARING mediæval Michelangelo Middle Ages mind moral nature never novel novelists object painters painting passion perhaps period picture play poem poet poetry political portrait Pre-Raphaelite produced prose religion Renaissance Roger Fry Romantic scenes sculpture sense sentiment Shakespeare society soul spirit story style Sutton Hoo T. S. Eliot taste tell theatre things thought tion to-day true truth Turner verse Victorian whole words Wordsworth writing