The Muse's Method: An Introduction to Paradise LostExcerpt: "In reading Paradise Lost for a number of years, I have found that my admiration for the poem has increased along with my sense of the problems which the poem presents. Each of the following essays derives from a question about a passage, a book, a motif, or a device in the poem: why is it there? what does it do? how does it work? In attempting to answer those questions, I have discovered that each concerned major aspects of Milton's (or his Muse's) method, poetic and religious. In writing about Milton, as in writing about Shakespeare, one's enormous debts to the living and the dead become inextricably entangled. For this reason, and because I have hoped for readers who might be interested in Milton's poetry while not interested in Milton scholarship, I have omitted footnote references from my text. I wish, however, to acknowledge the illumination and pleasure I have received from a number of scholars and critics who have recently written about Milton and his poetry: Frank Huntley, Isabel MacCaffery, William Madsen, M. M. Mahood, F. T. Prince, B. Rajan, Howard Schultz, Arnold Stein, Rosemond Tuve, W. B. C. Watkins, and Bernard Wright. I owe more personal debts to the criticism, conversation, and often, too, the writings of the following: Rufus and Jane Blanshard, J. B. Broadbent, William Coles, David Daiches, John Davenport, Jack Davis, Leonard Dean, Robert Durr, Helen Gardner, George Hemphill, John Huntley, C. S. Lewis, Charles McLaughlin, Edwin Muir, and E. M. W. Tillyard. I owe a great deal to Douglas Bush, who taught me to read Milton, and to Merritt Hughes, whose text in his finely annotated John Milton: Complete Poems and Major Prose (The Odyssey Press: New York, 1957) I quote throughout. Chapters III and VII have previously appeared in slightly different form in Publications of the Modern Language Association of America. Chapter IV has appeared in Studies in English Literature . . ." |
From inside the book
Results 1-3 of 25
Page 73
... motions , or are turn'd By his Magnetic beam , that gently warms The Universe , and to each inward part With gentle penetration , though unseen , Shoots invisible virtue even to the deep .. ( III . 579-586 ) By the time that we approach ...
... motions , or are turn'd By his Magnetic beam , that gently warms The Universe , and to each inward part With gentle penetration , though unseen , Shoots invisible virtue even to the deep .. ( III . 579-586 ) By the time that we approach ...
Page 84
... motions of love and fertility and ultimately evidence that God has given " only good . " The passage looks back and ... motions ( as is Adam in his anxious astronomi- cal speculations ) , Eve forgets her own proper motions and fruition ...
... motions of love and fertility and ultimately evidence that God has given " only good . " The passage looks back and ... motions ( as is Adam in his anxious astronomi- cal speculations ) , Eve forgets her own proper motions and fruition ...
Page 85
... motion , motion related to light , song , dance , and time . And that seg- ment will relate to or reflect , mirror or oppose or continue other motions which lead us through the poem . Milton included within Book V the best description ...
... motion , motion related to light , song , dance , and time . And that seg- ment will relate to or reflect , mirror or oppose or continue other motions which lead us through the poem . Milton included within Book V the best description ...
Contents
Preface page ix | 11 |
Satan Sin and Death | 32 |
Grateful Vicissitude | 71 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
Abdiel action Adam and Eve Adam's Addison angels anxiety behold Belial believe bliss Book XI C. S. Lewis comic concerned continue created creation Creatures dark Death Death wreck delight desire destruction divine dramatic dream E. M. W. Tillyard Earth emotions epic eternal Eve's evil experience eyes fair faith fall fear freedom Fruit fulfilment glory God's happy hast hath Heav'n Heav'nly Hell heroic poem human human sexuality hymn imagine immediate inevitably knowledge light literary live man's Messiah Michael Milton motions move movement narration nature Paradise Lost passage passion peace perceived perfection perversion poet poetry possible praise Prevenient Grace providence Raphael reality reason recognize Redeemer rejoicing relation reminded response Satan seem'd seems sense sexual sight speech Spirit sweet Thammuz thee thine things thir thou thought tion unfallen VIII vision War in Heaven warfare wish