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The pageant of a day; without one friend
To soothe his tortur'd mind: all, all are fled.
For, though they bask'd in his meridian ray,
The insects vanish, as his beams decline.
Not such our friends; for here no dark design,
No wicked interest, bribes the venal heart;
But inclination to our bosom leads,
And weds them there for life; our social cups
Smile, as we smile; open, and unreserv'd,
We speak our inmost souls; good-humour, mirth,
Soft complaisance, and wit from malice free,
Smooth every brow, and glow on every cheek.
O happiness sincere! what wretch would groan
Beneath the galling load of power, or walk
Upon the slippery pavements of the great,
Who thus could reign, unenvy'd and secure!
Ye guardian powers who make mankind your care,
Give me to know wise Nature's hidden depths,
Trace each mysterious cause, with judgment read
Th' expanded volume, and submiss adore
That great creative Will, who at a word
Spoke forth the wondrous scene.
To this gross clay confin'd flutters on Earth
With less ambitious wing; unskill'd to range
From orb to orb, where Newton leads the way;
And view with piercing eyes the grand machine,
Worlds above worlds; subservient to his voice,
Who, veil'd in clouded majesty, alone
Gives light to all; bids the great system move,
And changeful seasons in their turns advance,
Unmov'd, unchang'd, himself: yet this at least
Grant me propitious, an inglorious life,
Calm and serene, nor lost in false pursuits
Of wealth or honours; but enough to raise
My drooping friends, preventing modest Want
That dares not ask. And if, to crown my joys,
Ye grant me health, that, ruddy in my cheeks,
Blooms in my life's decline; fields, woods, and
Each towering hill, each humble vale below,
Shall hear my cheering voice, my hounds shall wake
The lazy Morn, and glad th' horizon round.
ALEXANDER POPE, an English poet of great emi- ample remuneration for his labour. This noble
work was published in separate volumes, each con-
taining four books; and the produce of the sub-
scription enabled him to take that house at Twick-
enham which he made so famous by his residence
and decorations. He brought hither his father and
mother; of whom the first parent died two years
afterwards. The second long survived, to be com-
forted by the truly filial attentions of her son. About
this period he probably wrote his Epistle from
"Eloisa to Abelard," partly founded upon the
extant letters of these distinguished persons.
has rendered this one of the most impressive poems
of which love is the subject; as it is likewise the
most finished of all his works of equal length, in
point of language and versification.
geration, however, which he has given to the most
impassioned expressions of Eloisa, and his de-
viations from the true story, have been pointed out
by Mr. Berrington in his lives of the two lovers.
nence, was born in London in 1688. His father, who appears to have acquired wealth by trade, was a Roman Catholic, and being disaffected to the politics of King William, he retired to Binfield, in Windsor Forest, where he purchased a small house with some acres of land, and lived frugally upon the fortune he had saved. Alexander, who was from infancy of a delicate habit of body, after learning to read and write at home, was placed about his eighth year under the care of a Romish priest, who taught him the rudiments of Latin and Greek. His natural fondness for books was indulged about this period by Ogilby's translation of Homer, and Sandys's of Ovid's Metamorphoses, which gave him so much delight, that they may be said to have made him a poet. He pursued his studies under different priests, to whom he was consigned. At length he became the director of his own pursuits, the variety of which proved that he was by no means deficient in industry, though his reading was rather excursive During the years in which he was chiefly engaged than methodical. From his early years poetry was with the Iliad, he published several occasional adopted by him as a profession, for his poetical works, to which he usually prefixed very elegant reading was always accompanied with attempts at prefaces; but the desire of farther emolument inimitation or translation; and it may be affirmed duced him to extend his translation to the Odyssey, that he rose at once almost to perfection in this walk. in which task he engaged two inferior hands, His manners and conversation were equally beyond whom he paid out of the produce of a new suband it does not appear that he ever culti-scription. He himself, however, translated twelve vated friendship with any one of his own age or condition.
books out of the twenty-four, with a happiness not
inferior to his Iliad; and the transaction, con-
ducted in a truly mercantile spirit, was the source
of considerable profit to him.
After the appear-
ance of the Odyssey, Pope almost solely made
himself known as a satirist and moralist. In
1728 he published the three first books of the
"Dunciad," a kind of mock heroic, the object of
which was to overwhelm with indelible ridicule
all his antagonists, together with some other authors
whom spleen or party led him to rank among the
dunces, though they had given him no personal
offence. Notwithstanding that the diction and ver-
sification of this poem are laboured with the greatest
care, we shall borrow nothing from it. Its imagery
is often extremely gross and offensive; and irri-
tability, ill-nature, and partiality are so prominent
through the whole, that whatever he gains as a poet
he loses as a man. He has, indeed, a claim to the
character of a satirist in this production, but none
at all to that of a moralist.
Pope's Pastorals were first printed in a volume of Tonson's Miscellanies in 1709, and were generally admired for the sweetness of the versification, and the lustre of the diction, though they betrayed a want of original observation, and an artificial cast of sentiment in fact, they were any thing rather than real pastorals. In the mean time he was exercising himself in compositions of a higher class; and by his "Essay on Criticism," published two years afterwards, he obtained a great accession of reputation, merited by the comprehension of thought, the general good sense, and the frequent beauty of illustration which it presents, though it displays many of the inaccuracies of a juvenile author. In 1712 his "Rape of the Lock," a mock heroic, made its first appearance, and conferred upon him the best title he possesses to the merit of invention. The machinery of the Sylphs was afterwards added, an exquisite fancy-piece, wrought with unrivalled skill and beauty. The "Temple of Fame," altered The other selected pieces, though not entirely from Chaucer, though partaking of the embarrass-free from the same defects, may yet be tolerated; ments of the original plan, has many passages which may rank with his happiest efforts.
In the year 1713, Pope issued proposals for publishing a translation of Homer's Iliad, the success of which soon removed all doubt of its making an accession to his reputation, whilst it afforded an
and his noble work called the "Essay on Man," which may stand in the first class of ethical poems, does not deviate from the style proper to its topic. This piece gave an example of the poet's extraordinary power of managing argumentation in verse, and of compressing his thoughts into clauses of
the most energetic brevity, as well as of expanding | through the instigation of a catholic friend, with them into passages distinguished by every poetic the ceremonies of that religion, he quietly expired ornament. The origin of this essay is, however, on May 30th, 1744, at the age of fifty-six. generally ascribed to Lord Bolingbroke, who was was interred at Twickenham, where a monument adopted by the author as his "guide, philosopher, was erected to his memory by the commentator and and friend;" and there is little doubt that, with legatee of his writings, bishop Warburton. respect to mankind in general, Pope adopted, without always fully understanding, the system of Bolingbroke.
On his works in prose, among which a collection of letters appears conspicuous, it is unnecessary here to remark. His life was not prolonged to the period of old age: an oppressive asthma indicated an early decline, and accumulated infirmities incapacitated him from pursuing the plan he had formed for new works. After having complied,
Regarded as a poet, while it is allowed that Pope was deficient in invention, his other qualifications will scarcely be disputed; and it will generally be admitted that no English writer has carried to a greater degree correctness of versification, strength and splendour of diction, and the truly poetical power of vivifying and adorning every subject that he touched. The popularity of his productions has been proved by their constituting a school of English poetry, which in part continues to the present time.
HAT dire offence from amorous causes springs,
What mighty contests rise from trivial things,
I sing this verse to Caryl, Muse! is due:
This ev'n Belinda may vouchsafe to view:
Slight is the subject, but not so the praise.
If she inspire, and he approve my lays.
Say what strange motive, goddess! could compel
A well-bred lord t' assault a gentle belle?
say what stranger cause, yet unexplor'd,
Could make a gentle belle reject a lord?
In tasks so bold, can little men engage?
And in soft bosoms dwells such mighty rage?
Sol through white curtains shot a timorous ray,
And ope'd those eyes that must eclipse the day:
Now lap-dogs give themselves the rouzing shake,
And sleepless lovers, just at twelve, awake:
Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow prest,
Her guardian Sylph prolong'd the balmy rest :
'Twas he had summon'd to her silent bed
The morning dream that hover'd o'er her head.
A youth more glittering than a birth-night beau
(That ev'n in slumber caus'd her cheek to glow)
Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say:
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!
If e'er one vision touch thy infant thought,
Of all the nurse and all the priest have taught;
Of airy elves by moonlight shadows seen,
The silver token, and the circled green,
Or virgins visited by angel-powers,
With golden crowns and wreaths of heavenly flowers;
Hear, and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths, from learned pride conceal'd,
To maids alone and children are reveal'd;
What, though no credit doubting wits may give,
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky:
These, though unseen, are ever on the wing,
Hang o'er the box, and hover round the ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once enclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to these of air.
Think not, when woman's transient breath is fled,
That all her vanities at once are dead :
Succeeding vanities she still regards,
And though she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a Salamander's name.
Soft yielding minds to water glide away,
And sip, with nymphs, their elemental tea.
The graver prude sinks downward to a Gnome,
In search of mischief still on Earth to roam.
The light coquettes in Sylphs aloft repair,
And sport and flutter in the fields of air.
"Know farther yet; whoever fair and chaste
Rejects mankind, is by some Sylph embrac'd:
For, spirits, freed from mortal laws, with ease
Assume what sexes and what shapes they please.
What guards the purity of melting maids,
In courtly balls, and midnight masquerades,
Safe from the treacherous friend, the daring sark,
The glance by day, the whisper in the dark,
When kind occasion prompts their warm desires,
When music softens, and when dancing fires?
'Tis but their Sylph, the wise celestials know,
Though honour is the word with men below.
"Some nymphs there are, too conscious of their
For life predestin'd to the Gnome's embrace.
These swell their prospects, and exalt their pride,
When offers are disdain'd, and love deny'd:
Then gay ideas crowd the vacant brain,
While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,
And in soft sounds, your grace' salutes their ear.
'Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.
"Oft, when the world imagine women stray,
The Sylphs through mystic mazes guide their way,
Through all the giddy circle they pursue,
And old impertinence expel by new.
What tender maid but must a victim fall
To one man's treat, but for another's ball?
When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from every part,
They shift the moving Toy-shop of their heart;
Where wigs with wigs, with sword-knots sword-
Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call;
Oh, blind to truth! the Sylphs contrive it all.
"Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star
I saw, alas! some dread event impend,
Ere to the main this morning sun descend;
But Heaven reveals not what, or how, or where ›
Warn'd by the Sylph, oh pious maid, beware!
This to disclose is all thy guardian can :
Beware of all, but most beware of man!"
He said; when Shock, who thought she slept too
Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true,
Thy eyes first open'd on a billet-doux ;
Wounds, charms, and ardours were no sooner read,
But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd,
Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores,
With head uncover'd, the cosmetic powers.
A heavenly image in the glass appears,
To that she bends, to that her eyes she rears;
Th' inferior priestess, at her altar's side,
Trembling, begins the sacred rites of Pride.
Unnumber'd treasures ope at once, and here
The various offerings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glittering spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,
Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows,
Puffs, powders, patches, Bibles, billet-doux.
Now awful Beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens every grace,
And calls forth all the wonders of her face:
Sees by degrees a purer blush arise,
And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care: These set the head, and those divide the hair; Some fold the sleeve, whilst others plait the gown; And 'Betty's prais'd for labours not her own.
Nor with more glories in th' ethereal plain,
The Sun first rises o'er the purpled main,
Than, issuing forth, the rival of his beams
Lanch'd on the bosom of the silver'd Thames.
Fair nymphs and well-dress'd youths around her
But every eye was fix'd on her alone.
On her white breast a sparkling cross she wore,
Which Jews might kiss, and infidels adore.
Her lively looks a sprightly mind disclose,
Quick as her eyes, and as unfix'd as those :
Favours to none, to all she smiles extends;
Oft she rejects, but never once offends.
Bright as the Sun, her eyes the gazers strike,
And, like the Sun, they shine on all alike.
Yet graceful ease, and sweetness void of pride,
Might hide her faults, if belles had faults to hide :
If to her share some female errours fall,
Look on her face, and you'll forget them all.
This nymph, to the destruction of mankind,
Nourish'd two locks, which graceful hung behind,
In equal curls, and well conspir'd to deck
With shining ringlets the smooth ivory neck.
Love in these labyrinths his slaves detains,
And mighty hearts are held in slender chains.
With hairy springes we the birds betray;
Slight lines of hair surprise the finny prey;
Fair tresses man's imperial race insnare,
And Beauty draws us with a single hair.
Th' adventurous baron the bright locks admir'd; He saw, he wish'd, and to the prize aspir'd. Resolv'd to win, he meditates the way, By force to ravish, or by fraud betray; For when success a lover's toil attends, Few ask if fraud or force attain'd his ends.
For this, ere Phoebus rose, he had implor'd Propitious Heaven, and every power ador'd; But chiefly Love - -to Love an altar built, Of twelve vast French romances, neatly gilt. There lay three garters, half a pair of gloves, And all the trophies of his former loves. With tender billet-doux he lights the pyre, And breathes three amorous sighs to raise the fire. Then prostrate falls, and begs with ardent eyes Soon to obtain, and long possess the prize : The powers gave ear, and granted half his prayer; The rest, the winds dispers'd in empty air.
But now secure the painted vessel glides, The sun-beams trembling on the floating tides: While melting music steals upon the sky, And soften'd sounds along the waters die; Smooth flow the waves, the zephyrs gentle play, Belinda smil'd, and all the world was gay, All but the Sylph with careful thoughts opprest, Th' impending woe sat heavy on his breast. He summons straight his denizens of air; The lucid squadrons round the sails repair: Soft o'er the shrouds aërial whispers breathe, That seem'd but zephyrs to the train beneath. Some to the Sun their insect wings unfold, Waft on the breeze, or sink in clouds of gold;
Gums and pomatums shall his flight restrain,
While clogg'd he beats his silken wings in vain;
Or alum styptics with contracting power
Shrink his thin essence like a shrivell'd flower:
Or, as Ixion fix'd, the wretch shall feel
The giddy motion of the whirling mill,
In fumes of burning chocolate shall glow,
And tremble at the sea that froths below!"
Transparent forms, too fine for mortal sight,
Their fluid bodies half dissolv'd in light.
Loose to the wind their airy garments flew,
Thin glittering textures of the filmy dew,
Dipp'd in the richest tinctures of the skies,
Where light disports in ever-mingling dyes,
While every beam new transient colours flings,
Colours that change whene'er they wave their wings.
Amid the circle on the gilded mast
Superior by the head, was Ariel plac'd;
His purple pinions opening to the Sun,
He rais'd his azure wand, and thus begun :
"Ye Sylphs and Sylphids, to your chief give ear;
Fays, Fairies, Genii, Elves, and Demons, hear!
Ye know the spheres, and various tasks assign'd
By laws eternal to th' aërial kind.
Some in the fields of purest ether play,
And bask and whiten in the blaze of day;
Some guide the course of wandering orbs on high,
Or roll the planets through the boundless sky;
Some, less refin'd, beneath the Moon's pale light
Pursue the stars that shoot athwart the night,
Or suck the mists in grosser air below,
Or dip their pinions in the painted bow,
Or brew fierce tempests on the wintery main,
Or o'er the glebe distil the kindly rain.
Others on earth o'er human race preside,
Watch all their ways, and all their actions guide:
Of these the chief the care of nations own,
And guard with arms divine the British throne.
“Our humbler province is to tend the fair,
Not a less pleasing, though less glorious care;
To save the powder from too rude a gale,
Nor let th' imprison'd essences exhale ;
To draw fresh colours from the vernal flowers;
To steal from rainbows, ere they drop in showers,
A brighter wash; to curl their waving hairs,
Assist their blushes, and inspire their airs;
Nay oft, in dreams, invention we bestow,
To change a flounce, or add a furbelow.
"This day, black omens threat the brightest fair That e'er deserv'd a watchful spirit's care: Some dire disaster, or by force, or slight;
But what, or where, the Fates have wrapp'd in night.
Whether the nymph shall break Diana's law,
Or some frail china-jar receive a flaw:
Or stain her honour, or her new brocade;
Forget her prayers, or miss a masquerade;
Or lose her heart, or necklace at a ball;
Or whether Heaven has doom'd that Shock must
Haste then, ye spirits! to your charge repair :
The fluttering fan be Zephyretta's care;
The drops to thee, Brillante, we consign;
And, Momentilla, let the watch be thine;
Do thou, Crispissa, tend her favourite lock;
Ariel himself shall be the guard of Shock.
"To fifty chosen Sylphs, of special note, We trust th' important charge, the petticoat: Oft have we known that seven-fold fence to fail, Though stiff with hoops, and arm'd with ribs of whale.
Form a strong line about the silver bound,
And guard the wide circumference around.
"Whatever spirit, careless of his charge,
His post neglects, or leaves the fair at large,
Shall feel sharp vengeance soon o'ertake his sins,
Be stopp'd in vials, or transfix'd with pins;
Or plung'd in lakes of bitter washes lie,
Or wedg'd whole ages in a bodkin's eye:
He spoke; the spirits from the sails descend: Some, orb in orb, around the nymph extend; Some thrid the mazy ringlets of her hair; Some hang upon the pendants of her ear; With beating hearts the dire event they wait, Anxious, and trembling for the birth of Fate.
CLOSE by those meads, for ever crown'd with flowers,
Where Thames with pride surveys his rising towers,
There stands a structure of majestic frame,
Which from the neighbouring Hampton takes its
Here Britain's statesmen oft the fall foredoom
Of foreign tyrants, and of nymphs at home;
Here thou, great Anna! whom three realms obey,
Dost sometimes counsel take- and sometimes tea.
Hither the heroes and the nymphs resort,
To taste awhile the pleasures of a court;
In various talk th' instructive hours they past,
Who gave the ball, or paid the visit last;
One speaks the glory of the British queen,
And one describes a charming Indian screen;
A third interprets motions, looks, and eyes;
At every word a reputation dies.
Snuff, or the fan, supply each pause of chat,
With singing, laughing, ogling, and all that.
Meanwhile, declining from the noon of day,
The Sun obliquely shoots his burning ray :
The hungry judges soon the sentence sign,
And wretches hang, that jurymen may dine;
The merchant from th' Exchange returns in peace,
And the long labours of the toilet cease.
Belinda now, whom thirst of fame invites,
Burns to encounter two adventurous knights,
At Ombre singly to decide their doom;
And swells her breast with conquests yet to come.
Straight the three bands prepare in arms to join,
Each band the number of the sacred nine.
Soon as she spreads her hand, th' aërial guard
Descend, and sit on each important card:
First Ariel perch'd upon a Matadore,
Then each according to the rank they bore;
For Sylphs, yet mindful of their ancient race,
Are, as when women, wondrous fond of place.
Behold, four kings in majesty rever'd,
With hoary whiskers and a forky beard;
And four fair queens, whose hands sustain a flower,
Th' expressive emblem of their softer power;
Four knaves in garbs succinct, a trusty band;
Caps on their heads, and halberts in their hand;
And party-coloured troops, a shining train,
Drawn forth to combat on the velvet plain.
The skilful nymph reviews her force with care: Let spades be trumps! she said, and trumps they
Now move to war her sable Matadores,
In show like leaders of the swarthy Moors.
Spadillio first, unconquerable lord!
Led off two captive trumps, and swept the board.