Lectures on the English Poets: Delivered at the Surrey Institution |
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Page 4
... describe what all the others think and act . If his art is folly and madness , it is folly and mad- ness at second hand . " There is warrant for it . " Poets alone have not " such seething brains , such shaping fantasies , that ...
... describe what all the others think and act . If his art is folly and madness , it is folly and mad- ness at second hand . " There is warrant for it . " Poets alone have not " such seething brains , such shaping fantasies , that ...
Page 6
... describes the flowing , not the fixed . It does not define the limits of sense , or analyze the distinctions of the understanding , but signifies the excess of the imagination beyond the actual or ordinary impression of any object or ...
... describes the flowing , not the fixed . It does not define the limits of sense , or analyze the distinctions of the understanding , but signifies the excess of the imagination beyond the actual or ordinary impression of any object or ...
Page 8
... describing natural objects , it im- pregnates sensible impressions with the forms of fancy , so it describes the feelings of pleasure or 8 ON POETRY IN GENERAL .
... describing natural objects , it im- pregnates sensible impressions with the forms of fancy , so it describes the feelings of pleasure or 8 ON POETRY IN GENERAL .
Page 9
Delivered at the Surrey Institution William Hazlitt. fancy , so it describes the feelings of pleasure or pain , by blending them with the strongest move- ments of passion , and the most striking forms of nature . Tragic poetry , which is ...
Delivered at the Surrey Institution William Hazlitt. fancy , so it describes the feelings of pleasure or pain , by blending them with the strongest move- ments of passion , and the most striking forms of nature . Tragic poetry , which is ...
Page 16
... sion of a common portrait , as the poet to describe the most striking and vivid impressions which things can be supposed to make upon the mind , Let in the language of common conversation . who will 16 ON POETRY IN GENERAL .
... sion of a common portrait , as the poet to describe the most striking and vivid impressions which things can be supposed to make upon the mind , Let in the language of common conversation . who will 16 ON POETRY IN GENERAL .
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Common terms and phrases
admirable affectation allegory appear Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer common Cutty Sark death delight describes doth equal excellence face Faery Queen fame fancy feeling finest flowers genius gives Gonne grace Gulliver's Travels happy hates hath heart heaven Herbert Croft hire Homer human idea images imagination interest kind Knight's Tale labour language less light lines living look Lord Lord Byron Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted passion pathos persons pleasure poem poet poetical poetry Pope praise prose racter reader rhyme satire scene sense sentiment Shakspeare Shanter shew song soul sound Spenser spirit spring style sweet ther thing thou thought tion Titian tree truth verse Whan wings wolde words Wordsworth writer wyllowe-tree youth
Popular passages
Page 145 - Tis with our judgments as our watches, none Go just alike, yet each believes his own.
Page 321 - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
Page 71 - To th' instruments divine respondence meet ; The silver sounding instruments did meet With the base murmure of the waters fall ; The waters fall with difference discreet, Now soft, now loud, unto the wind did call ; The gentle warbling wind low answered to all.
Page 113 - ... an inward prompting which now grew daily upon me, that by labour and intense study, (which I take to be my portion in this life,) joined with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die.
Page 271 - Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the keystane of the brig; There, at them thou thy tail may toss, A running stream they dare na cross! But ere the keystane she could make, The fient a tail she had to shake; For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tarn wi' furious ettle; But little wist she Maggie's mettle!
Page 21 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 273 - But hark ! a rap comes gently to the door ; Jenny, wha kens the meaning o' the same, Tells how a neebor lad cam' o'er the moor, To do some errands, and convoy her hame. The wily mother sees the conscious flame Sparkle in Jenny's e'e, and flush her cheek ; With heart-struck anxious care, inquires his name, While Jenny hafflins is afraid to speak : Weel pleased the mother hears it's nae wild, worthless rake. Wi...
Page 117 - And, missing thee, I walk unseen On the dry smooth-shaven green To behold the wandering moon, Riding near her highest noon, Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Page 243 - I thought of Chatterton, the marvellous Boy, The sleepless Soul that perished in his pride; Of Him who walked in glory and in joy Following his plough, along the mountain-side : By our own spirits are we deified : We poets in our youth begin in gladness; But thereof come in the end despondency and madness.
Page 199 - Oh, how canst thou renounce the boundless store Of charms which Nature to her votary yields ! The warbling woodland, the resounding shore, The pomp of groves, and garniture of fields ; All that the genial ray of morning gilds, And all that echoes to the song of even, All that the mountain's sheltering bosom shields, And all the dread magnificence of Heaven, Oh, how canst thou renounce, and hope to be forgiven ! X.