The Landscape of the Mind: Pastoralism and Platonic Theory in Tasso's Aminta and Shakespeare's Early Comedies |
Contents
INTRODUCTION Pastoralism and Aesthetic Platonic Tradition | 1 |
THE PASTORALISM OF TASSOS AMINTA | 21 |
The Shepherds Life | 44 |
Copyright | |
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academic aesthetic Platonism Alcestis allegory allusion Aminta Amore Apolline Apollo Arcadia Aristeo Armado audience Bacchic Bacchus beauty Berowne Bucolics Cassirer classical comic courtly Cupid death delight Diana discordia concors divine doctrine early comedies Elizabethan enigmatic Eros erotic esoteric fable Fergus Ficino Florentine folly of loving Gentlemen gods Greek Hercules heroic Hippolyta humour Hymn intermedi Italian landscape London Love's Labour's Lost lover Macrobius means melancholy Midas Midsummer-Night's Dream Milton mind mode mystical myth mythic mythology mythopoeia nature Neo-Platonic nymph Orfeo Orpheus Orphic Orphic voice Orphism Ovid Pagan Mysteries Paris passion pastoral language pastoralist Phaedrus philosophy Pico Platonic Platonische Renaissance Platonists play plot poem poet poetic theology poetry Poliziano praise Praise of Folly Proteus Pyramus and Thisbe raptio reconciled remeatio Renaissance satyr says scene sense serio ludere Shakespeare shepherd Silvia singing Socrates song soul style symbolism Tasso Theseus Titania tradition trans unity Valentine Venus virtue wisdom