The Figure of Transport: An Inaugural Lecture |
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actual anamorphosis apparent basically become beginning Carpaccio centre certainly close colours comes compared complete consider course curious cylindrical decorative demonstrations described desire devotion direct discovery drawing effect enable England engraving established example experience explain eyes fact FIGURE OF TRANSPORT France further Gallery give given glass going harmony heaven hold idea illustrated instruments invention involved known less light look Lorenzo lost matter means metaphor metaphysical MICHIGAN middle ages Milton mirror moon move Nature objects observer optical painting particularly passage perhaps period perspective picture Plate played poem poet poet's poetic poetry produced Puttenham reason renaissance represent rhetoric scientific seems seen seventeenth century Shakespeare shows simply sixteenth century sort space stands step surprising symbolic taken telescope things thought true uneasiness universe Venice viewpoint vision voyage whole