Elements of Criticism, Volume 2J. Bell and W. Creech, 1788 - Criticism |
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Page 4
... perception . Language poffeffeth a beauty fu- perior greatly in degree , of which we are emi- nently fenfible when a thought is communicated with perfpicuity and fprightlinefs . This beauty of language , arifing from its power of ...
... perception . Language poffeffeth a beauty fu- perior greatly in degree , of which we are emi- nently fenfible when a thought is communicated with perfpicuity and fprightlinefs . This beauty of language , arifing from its power of ...
Page 62
... perception , it is commu- nicated to the very found of the words , fo as in appearance to improve the music of the period . But as this curious fubject comes in more proper- ly afterward , it is fufficient at present to appeal to ...
... perception , it is commu- nicated to the very found of the words , fo as in appearance to improve the music of the period . But as this curious fubject comes in more proper- ly afterward , it is fufficient at present to appeal to ...
Page 96
... perceive , that these rules avail little in point of inftruction : the very words he employs , are not intelligible , except to those who beforehand are acquainted with the subject . To vary the scene a little , I propose to close with ...
... perceive , that these rules avail little in point of inftruction : the very words he employs , are not intelligible , except to those who beforehand are acquainted with the subject . To vary the scene a little , I propose to close with ...
Page 112
... perceptions transferred to the found ; by which means , we conceive a line to be harsh and grating to the ear , when in reality it is only fo to the understanding * . To the rule that fixes the pause after the fifth portion , there is ...
... perceptions transferred to the found ; by which means , we conceive a line to be harsh and grating to the ear , when in reality it is only fo to the understanding * . To the rule that fixes the pause after the fifth portion , there is ...
Page 123
... perceive the fame defect : And old impertinence || expel by new With varying vanities || from ev'ry part Love in these labyrinths || his flaves detains New ftratagems || the radiant lock to gain Her eyes half languishing || half drown'd ...
... perceive the fame defect : And old impertinence || expel by new With varying vanities || from ev'ry part Love in these labyrinths || his flaves detains New ftratagems || the radiant lock to gain Her eyes half languishing || half drown'd ...
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Common terms and phrases
abſtract accent action Æneid againſt agreeable alfo alſo appears beauty becauſe caufe cauſe cenfured chap circumftance cloſe compariſon compofition confidered connected defcribing defcription difagreeable diftinct diftinguiſhed effect emotions Eneid Engliſh epic epic poetry example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparation fhall fhould fignify figure fimile fingle firft firſt fome ftill fubject fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances inverfion itſelf ject language laſt leaſt lefs leſs long fyllable meaſure melody mind moſt mufic muft muſt nature neceffary obfervation object occafion ornaments paffage paffion paufe pauſe perfon pleaſant pleaſe pleaſure poem preſent profe proper purpoſe raiſed reaſon refpect reft reliſh repreſentation repreſented reſemblance rhyme Richard II rule ſcarce ſcene ſenſe ſeparated ſhall ſhort ſpeech Spondees tafte taſte thefe theſe things thoſe thou tion uſe vafe verfe verſe words
Popular passages
Page 337 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 317 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 281 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 332 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 364 - I'll give my jewels, for a set of beads ; My gorgeous palace, for a hermitage ; My gay apparel, for an alms-man's gown ; My...
Page 187 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 237 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 192 - A blank, my lord : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek : she pined in thought ; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief.
Page 197 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 279 - Thou hast brought a vine out of Egypt: thou hast cast out the heathen, and planted it. Thou preparedst room before it, and didst cause it to take deep root, and it filled the land. The hills were covered with the shadow of it, and the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, and her branches unto the river.