Bacchius ii. 179. Bajazet) of Racine cenfured i. 505. Batrachomuomachia) cenfured i. 368. Beauty, ch. 3. Intrinfic and relative i. 197. ii. 447. Beauty of fimplicity i. 2co. of figure i. 201. of the circle i. 203. of the fquare i. 203. of a regular polygon i. 203. of a parallelogram i. 203. of an equilateral triangle i. 204. Whether beauty be a primary or fecondary quality of objects i. 207. Beauty diftinguished from grandeur i. 213. Beauty of natural colours i. 327. Beauty diftinguished from congruity i. 337. Confummate beauty feldom produces a conftant lover i. 414. Wherein confifts the beauty of the human vifage i. 426. Beauty proper and figurative ii. 522, 523. Behaviour) grofs and refined i. 113. Belief) of the reality of external objects i. SS. Enforced by a lively narrative, or a good hiftorical painting i. 100, 101. Influenced by paflion i. 162, 163. ii. 228. 259. Influenced by propensity i. 163. Influenced by affection i. 163. Benevolence operates in conjunction with felf-love to make us happy i. 185. Benevolence infpired by gardening i. 453. Berkeley) cenfured ii. 513. note. Blank verfe ii. 119. 160. Its aptitude for inverfion ii. 163. Its melody ii. 163. How far proper in tragedy ii. 403. Body) defined ii. 507. Boileau) cenfured ii. 254. 388. Bombast i. 243. Bombast in action i. 247. Boffu) cenfured ii. 411. note. Burlefque) machinery does well in a burlefque poem i. 103. Burlefque diftinguifhed into two kinds i. 366. Bufinefs) men of middle age beft qualified for it i. 307. Cadence ii. 94. 104. Capital) of a column ii. 478. Careless Hufband) its double plot well contrived ii. 399. Caufe) refembling caufes may produce effects that have no refemblance; and caufes that have no refemblance may produce refembling effects ii. 86. Caufe defined ii. 537Chance) the mind revolts against misfortunes that happen by chance ii. 380. Char Character) to draw a character is the mafter-ftroke of defcription ii. 337, 338. Characteristics) of Shaftsbury criticifed i. 339. note. Children) love to them accounted for i. 71. A child can dif cover a paffion from its external signs i. 441. Hides none of its emotions i. 450. Chinese gardens ii. 450. Wonder and furprise studied in them ii. 452. Choreus ii. 178. Choriambus ii. 180. Chorus) an effential part of the Grecian tragedy ii. 412. Cid) of Corneille cenfured i. 464. 490. Cinna) of Corneille cenfured i. 341. 459. 487. Circle) its beauty i. 201. Circumftances)in a period, where they should be placed ii.61.68. Coexiftent emotions and paffions i. 124, &c. Colour) gold and filver efteemed for their beautiful colours i. 199. A fecondary quality i. 107. Natural colours i. 327. Colouring of the human face, exquifite i. 327. Columns) every column ought to have a bafe i. 179. The bafe ought to be fquare i. 179. Columns admit different proportions ii. 465. 468. What emotions they raife ii. 468. Column more beautiful than a pilafter ii. 477. Its form ii. 478. Five orders of columns ii. 479. Capital of the Corinthian order cenfured ii. 481. Comedy) double plot in a comedy ii. 397. 399. Modern manners do beft in comedy ii. 383. Immorality of English comedy i. 55. Comet) motion of the comets and planets compared with refpect to beauty i. 251. Commencement) of a work ought to be modest and fimple ii. 326. Common nature) in every fpecies of animals i. 108. ii. 490. We have a conviction that this common nature is invariable ii. 491. Also that it is perfect or right i. 108. ii. 491. Common fenfe ii. 493. 503. Communication of paflion to related objects. See Paffion. Communication of qualities to related objects. See Propea- Comparison i. 279, &c. ch. 19. In the early composition of 218. Complex emotion i. 125, &c. Complex object) its power to generate passion i. 75, 76. 239, Complexion) what colour of drefs is the moft fuitable to dif Conception) defined ii. 509. Concord) or harmony in objects of fight i. 129. Congreve) cenfured i. 57. 368. 432. note. ii. 402. 409. Conquest of Granada) of Dryden cenfured i. 492. Conftancy) confummate beauty the cause of inconstancy i, Construction) of language explained ii. 44, &c. Contempt) railed by improper action i. 274. Contrast, ch. 8. Its effect in language ii. 12. In a series of Conviction) intuitive. See Intuitive conviction. Copulative) to drop the copulative enlivens the expreffion ii. Coriolanus) of Shakespeare cenfured i. 491. Corneille) cenfured i. 459. 480. 503. 509. Corporeal pleature i. 1, 2. Low and fometimes mean i. 356. Creticus ii. 179. Criminal) the hour of execution feems to him to approach Criticifin) its advantages i. 7, &c. Its terms not accurately defined i. 443. Crowd) Crowd) defined ii. 533. Curiofity i. 258. 278, &c, Custom and habit, ch. 14. Renders objects familiar i. 259. Dactyle ii. 179. Davila) cenfured i. 323. Declenfions) explained ii. 46, 47. Des Cartes) cenfured ii. 512. note. Defcription) it animates a defcription to reprefent things paft Defcriptive perfonifications ii. 236. Defcriptive tragedy i. 455- Defire) defined i. 42. It impels us to action i. 44. It deter- Dialogue) dialogue-writing requires great genius i. 453, &c. Dignity and grace, ch. 11. Dignity of human nature ii. 494. Diphthongs ii. 8. Difagreeable emotions and paffions i. 105, &c. Difcordant founds) defined i. 125. Difpondeus ii. 179. Di pofition) defined ii. 526. Diflimilar emotions i. 126. Their effects when coexiftent i. 131, 132. ii. 437. 466. Diffimilar paflions) their effects i. 143. Diffocial pathons i. 49. All of them painful i. 108. and also Distance) the natural method of computing the distance of objects objects i. 173, &c. Errors to which this computation is Ditrochæus ii. 179. Door) its proportion ii. 456. Double action) in an epic poem, ii. 407. Double dealer) of Congreve cenfured i. 486. ii. 409. Double plot) in a dramatic composition ii. 397. Drapery) ought to hang loofe i. 179. Duties) moral duties distinguished into thofe which respect Dwelling-houfe) its external form ii. 458. Internal form ii. Education) promoted by the fine arts i. 8. ii. 453. Means to Elevation i. 210, &c. Real and figurative intimately connect- Emotion) what feelings are termed emotions i. 33. Emotions |