The Poets on the Classics: An Anthology of English Poets' Writings on the Classical Poets and Dramatists from Chaucer to the Present
Routledge, 1988 - Classical literature - 273 pages
Ernst Cassirer occupies a unique space in Twentieth-century philosophy. A great liberal humanist, his multi-faceted work spans the history of philosophy, the philosophy of science, intellectual history, aesthetics, epistemology, the study of language and myth, and more.
The Philosophy of Symbolic Forms is Cassirer's most important work. It was first published in German in 1923, the third and final volume appearing in 1929. In it Cassirer presents a radical new philosophical worldview - at once rich, creative and controversial - of human beings as fundamentally "symbolic animals", placing signs and systems of expression between themselves and the world.
This major new translation, the first for over fifty years, brings Cassirer's magnum opus to a new generation of students and scholars.
Volume 2: Mythical Thought considers the role of myth in human thought and expression. Cassirer examines the main features of morphology of myth before tackling the relationship between myth and self-consciousness. He argues that human beings' experience of the world around them is charged with affective and emotional significance, as desirable or hateful, comforting or threatening. It is this type of meaning which underlies mythical consciousness and explains its disregard for the distinction between appearance and reality. From mythical thought religion and art develop, Cassirer argues, making the mythical view of the world the earliest form of philosophical expression.
Correcting important errors in previous English editions, this translation reflects the contributions of significant advances in Cassirer scholarship over the last twenty to thirty years. Each volume includes a new introduction and translator's notes by S. G. Lofts, a foreword by Peter Gordon, a glossary of key terms, and a thorough index.
From inside the book
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Their poetry is intensely melodious ; like the odour of the tuberose , 2 it overcomes and sickens the spirit with excess of sweetness ; whilst the poetry of the preceding age was as a meadow - gale of June , which mingles the fragrance ...
most engaging of all English responses to the spirit at the heart of the Greek collection . By the middle of the eighteenth century , Anacreon's admirers and imitators had included Prior ( 39 ) , Oldham , Oldmixon , Barnes , Rochester ...
His explicit dispraise of Juvenal here is at odds with his implicit admission that he possesses a ' truly poetical spirit ' . Francis is , in fact , among a number of writers who , whilst paying lip - service to eighteenthcentury ...