The Poets on the Classics: An Anthology of English Poets' Writings on the Classical Poets and Dramatists from Chaucer to the Present
Routledge, 1988 - Classical literature - 273 pages
Ernst Cassirer occupies a unique space in Twentieth-century philosophy. A great liberal humanist, his multi-faceted work spans the history of philosophy, the philosophy of science, intellectual history, aesthetics, epistemology, the study of language and myth, and more.
The Philosophy of Symbolic Forms is Cassirer's most important work. It was first published in German in 1923, the third and final volume appearing in 1929. In it Cassirer presents a radical new philosophical worldview - at once rich, creative and controversial - of human beings as fundamentally "symbolic animals", placing signs and systems of expression between themselves and the world.
This major new translation, the first for over fifty years, brings Cassirer's magnum opus to a new generation of students and scholars.
Volume 2: Mythical Thought considers the role of myth in human thought and expression. Cassirer examines the main features of morphology of myth before tackling the relationship between myth and self-consciousness. He argues that human beings' experience of the world around them is charged with affective and emotional significance, as desirable or hateful, comforting or threatening. It is this type of meaning which underlies mythical consciousness and explains its disregard for the distinction between appearance and reality. From mythical thought religion and art develop, Cassirer argues, making the mythical view of the world the earliest form of philosophical expression.
Correcting important errors in previous English editions, this translation reflects the contributions of significant advances in Cassirer scholarship over the last twenty to thirty years. Each volume includes a new introduction and translator's notes by S. G. Lofts, a foreword by Peter Gordon, a glossary of key terms, and a thorough index.
From inside the book
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Lyric ( 14 ) Jonson , from ' Come Leave the Loathed Stage ' ( 1629 ) [ This ode provides a clear indication of Jonson's preferences among the lyric poets . His imitations of Pindar , Anacreon and Horace were in each case innovative and ...
Though the various parts of the Horatian corpus , lyric ( Odes and Epodes ) and didactic ( Satires , Epistles , Ars Poetica ) have fluctuated in relative popularity over the centuries , there have been few English poets of any stature ...
8. tilting furniture ... seneschals These lines refer to chivalric epics such as those of Boiardo , Ariosto , Tasso and Spenser . 9. that name The name of epic . Lyric Jonson ( 14 ) 1. things so prostitute The stage and its shortcomings ...