« PreviousContinue »
For well I understand, in the prime end $40
353 Occasionally; and to consummate all, Greatness of Mind and Nobleness their seat Build in her, loveliest, and create an awe About her, as a guard angelic placed!
To whom the Angel, with contracted brow: 560 Accuse not Nature; she hath done her part: Do thou but thine, and be not diffident Of wisdom ; she deserts thee not, if thou Dismiss not her, when most thou need'st her nigh, By attributing overmuch to things
565 Less excellent, as thou thyself perceiv'st. For what admir'st thou? what transports thee so? An outside? Fair po doubt, and worthy well Thy cherishing, thy honouring, and thy love; Not thy subjection. Weigh with her thyself, 570 Then value. Oft-times nothing profits more Than self-esteem, grounded on just and right Well managed. Of that skill the more thou know'st, The more she will acknowledge thee her head, And to realities yield all her shows;
575 Made so adorn for thy delight the more, So awful, that with honour thou may'st love Thy mate, who sees when thou art seen least wise. 547. Absolute; complete, as used in the former instance, line 421.
568. Eph. v. 28, 29. 576. Adorn, for adorn'd, to avoid the inharmonious sound of the latter with the word made.-It is thus used, as fledge for fledged, and comes from the Italian adjective adorno.
But if the sense of touch, whereby mank.nd
To whom thus, half abash'd, Adam reply'd : 595 Neither her outside, form'd so fair, nor aught In procreation, commion to all kinds, (Though higher of the genial bed by far, And with inysterious reverence I deem) So much delights me as those graceful acts, 600 Those thousand decencies, that daily flow From all her words and actions, mix'd with love And sweet compliance; which declare unfeign'd Union of mind, or in us both one soul: Harmony to behold in wedded pair,
605 More grateful than harmonious sound to th' ear. Yet these subject not: I to thee disclose What inward thence I feel, not therefore foil'd, Who meet with various objects, from the sense Variously representing; yet, still free, * 610 Approve the best, and follow what I
approve. To love thou blam'st me not; for love thou say'st Leads up to Heav'n; is both the way and guide. Bear with me then, if lawful what I ask: Love not the heav'nly Spirits ? and how their love Express they? by looks only'? or do they mix 616 Irradiance, virtual or immediate touch?
To whom the Angel, with a smile that glow'd Celestial rosy red (love's proper hue),
589. It is supposed that Milton a judes in this passage to Plato's theory of divine love.
Answer'd: Let it suffice thee that thou know'st 620
So saying, he arose; whom Adam thus
So parted they; the Angel up to Heav'n From the thick shade, and Adam to his bower.
634. 1 John v. %. 645. Benediction; not signifying blessing, but farewell. 45. His bower, that is, his iomont Lower or Phce of resto
THE ARGUMENT. Satan, having compassed the earth with meditated guile, returns as a mist by night into Paradise, er ters into the serpent sleeping. Adam and Eve in the morning go forth to their labours, which Eve proposes to divide in several places, each labouring apart: Adam consents not, alleging the danger, lest that enemy, of whom they were forewarned, should attempt her, found alone: Eve, loath to be thought not circumspect or firm enough, urges her going apart, the rather desirous to make trial of her strength: Adam at last yields: The Serpent finds her alone; his subtle ap proach, first gazing, then speaking, with much fattery extolling Eve above all other creatures.' Eve wondering to hear the Serpent speak, asks how he attained to human speech and such understanding not till now: the Serpent answers, that by tasting of a certain tree in the garden he attained both to speech and rea. son; till then void of both : Eve requires him to bring her to that tree, and finds it to be the tree of knowledge, forbidden: The Serpent, now grown bolder, with many wiles and arguments, in duces her at length to eat; she, pleased with the taste, delibe. rates a while whether to impart thereof to Adam or not, at last brings hin of the fruit, relates what persuaded her to eat thereof: Adam, at first amazed, but perceiving her lost, resolves, through vehemence of love, to perish with her; and extenuating the trespass, eats also of the fruit: The effects thereor in them both; they seek to cover their nakedness; then fall to variance and accusation of one another. No more of talk where God or Angel guest With Man, as with his friend, familiar used To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse, unblamed : I now must change 5 Those notes to tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience : on the part of Heav'n Now alienated, distance and distaste, Anger and just rebuke, and judgment given, 10 That brought into this world a world of woe, Sin and her shadow Death, and Misery,
1. Milton has arranged the divisions of his poem with great skill. The reader is by turns filled with awe and delight, astonishment and wonder: after having been terror-stricken at the sublime account of the fall of the angels, he is charmed and soothed by the description of Paradise, and the sweet discourse of philo. sophy, carried on between Raphael and Adam. A new order of feelings are now to be awakened, and pity, mingled with fear, possesses us through the whole book.
11. Nothing can be in worse taste than this and other such puns; but not a great poet is perhaps to be found, with a taste 10 pure, that it could resist altogether the corruptions of the popular one.
Death's harbinger. Sad task! yet argument
21. The picture of Milton, which here rises to the mind, is among the most beautiful of the visions 10 which the poem gives birth. Blind, deserted, but inspired, how like a character in the work does he seem to the imagination, while thus speaking of his communion with the heavenly muse.
26. He had, long before commencing Paradise Lost, or designing it even, determined to write an Epic on the subject of King Arthur's history.
28. Allusion is made in this passage to the principal Epics, the subjects of which are almost all drawn from the wars of one country or the other. The most ardent lover of the classic poems cannot but feel Milton's objection to be correct; the only caution to be observed, is, not to mistake his dislike of their subjects for any depreciation of the sublime geninses which composed them.
35. Impresses quaint ; witty devices on the shields-Bases, or housings.-Sewers, servants who placed the dishes on the table. --Seneschal, a principal servant, or steward.