Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 77
... sympathic or modal form or motion , it is subject in the end to fallacies similar to the other fallacies just described . Other structures of accommodation are the institutionalization of mysti- cism ; manic - depressive cycles ; a ...
... sympathic or modal form or motion , it is subject in the end to fallacies similar to the other fallacies just described . Other structures of accommodation are the institutionalization of mysti- cism ; manic - depressive cycles ; a ...
Page 232
... sympathic . This sympathic dimension , however , is gathered into a modality beyond even lyric and ironic modality by Michael's accompanying technique of specifically countering every sympathic response and thus detaching Adam's ...
... sympathic . This sympathic dimension , however , is gathered into a modality beyond even lyric and ironic modality by Michael's accompanying technique of specifically countering every sympathic response and thus detaching Adam's ...
Page 317
... Sympathic state : Adam and Eve's fall into , 214 , 217 , 222-24 ; modality reduced to , 186- 91 ; Satan's fall into , 168 Sympathy , sympathetic faculty , 190-91 ; di- vided from judgment , 18-19 ; " horrid " of Sa- tan and fallen ...
... Sympathic state : Adam and Eve's fall into , 214 , 217 , 222-24 ; modality reduced to , 186- 91 ; Satan's fall into , 168 Sympathy , sympathetic faculty , 190-91 ; di- vided from judgment , 18-19 ; " horrid " of Sa- tan and fallen ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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Common terms and phrases
action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield