Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 54
... similar. Figures are similar if they have the same shape but not the same size. The sizes of the figures are proportionate. The symbol ~ is used to show that one figure “is similar to” another. Figures such as triangles, squares ...
... similar. Figures are similar if they have the same shape but not the same size. The sizes of the figures are proportionate. The symbol ~ is used to show that one figure “is similar to” another. Figures such as triangles, squares ...
Page xxv
... similar functions are generically known as “the multifractal spectrum of μ”, “the singularity spectrum of μ”, “the spectrum of scaling indices” or simply ... Similar Sets and Measures Random Self-Similar Sets Random Self-Similar Measures.
... similar functions are generically known as “the multifractal spectrum of μ”, “the singularity spectrum of μ”, “the spectrum of scaling indices” or simply ... Similar Sets and Measures Random Self-Similar Sets Random Self-Similar Measures.
Page 83
A European Vision of Multimodal Interfaces in Our Future Life Similar. 5.3 . The SIMILAR Usability SIG Approach The SIMILAR Network has particular properties ... SIMILAR Dreams THE SIMILAR USABILITY SIG APPROACH General objectives in brief.
A European Vision of Multimodal Interfaces in Our Future Life Similar. 5.3 . The SIMILAR Usability SIG Approach The SIMILAR Network has particular properties ... SIMILAR Dreams THE SIMILAR USABILITY SIG APPROACH General objectives in brief.
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield