Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 62
... pure frame , a frameless frame , the frame of the third space of incipiently self - conscious mind . Of course , it is difficult to represent pure frame , yet some instances of Milton's aesthetic distancing give the reader the ...
... pure frame , a frameless frame , the frame of the third space of incipiently self - conscious mind . Of course , it is difficult to represent pure frame , yet some instances of Milton's aesthetic distancing give the reader the ...
Page 97
... pure thou in the body enjoy'st ( And pure thou wert created ) we enjoy In eminence , and obstacle find none Of membrane , joint , or limb , exclusive bars ; Easier than air with air , if Spirits embrace , Total they mix , union of pure with ...
... pure thou in the body enjoy'st ( And pure thou wert created ) we enjoy In eminence , and obstacle find none Of membrane , joint , or limb , exclusive bars ; Easier than air with air , if Spirits embrace , Total they mix , union of pure with ...
Page 269
... pure manifestations of the sympathic mode , the pure anger of God and the Son in Books 3 , 6 , 11 , and 12 and the pure " excess of joy ” in heaven and the " wild " and " enormous bliss " of creation ( 1 : 123 ; 5 : 297 ) . In simple ...
... pure manifestations of the sympathic mode , the pure anger of God and the Son in Books 3 , 6 , 11 , and 12 and the pure " excess of joy ” in heaven and the " wild " and " enormous bliss " of creation ( 1 : 123 ; 5 : 297 ) . In simple ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield