Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 80
... perhaps is love " itself . " We begin to sense the truth that perhaps the object is not a substance , but a force , a power . In this new modal consciousness the conceived natures of object and fulfillment are abandoned as unreal . The ...
... perhaps is love " itself . " We begin to sense the truth that perhaps the object is not a substance , but a force , a power . In this new modal consciousness the conceived natures of object and fulfillment are abandoned as unreal . The ...
Page 256
... perhaps , the poetic representation of the sunspot - Satan regardless of the official negation , and the word yet all cut in the opposite direction . Satan has been seen ; perhaps Galileo saw him ; and if not , he may see him in the ...
... perhaps , the poetic representation of the sunspot - Satan regardless of the official negation , and the word yet all cut in the opposite direction . Satan has been seen ; perhaps Galileo saw him ; and if not , he may see him in the ...
Page 277
... perhaps the best visualization of resonant coition occurring in the world of " dimension , " or perhaps the image of an embrace between two beings or forces that are simultaneously wres- tlers and lovers . The final resonance is also a ...
... perhaps the best visualization of resonant coition occurring in the world of " dimension , " or perhaps the image of an embrace between two beings or forces that are simultaneously wres- tlers and lovers . The final resonance is also a ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield