Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 25
... perception of these relations is kinesthetic perception , and such kinesthetic perception is basic to Milton's perceptual process and to his mode of presentation . This kinesthesia is not only disjunctive but mediative . As do most ...
... perception of these relations is kinesthetic perception , and such kinesthetic perception is basic to Milton's perceptual process and to his mode of presentation . This kinesthesia is not only disjunctive but mediative . As do most ...
Page 53
... perception of the fish . Rather , different faculties seem to perceive different aspects of the object in a mutually exclusive manner . As one can see an eye as either cruel or remorseful but not both simultaneously , one can similarly ...
... perception of the fish . Rather , different faculties seem to perceive different aspects of the object in a mutually exclusive manner . As one can see an eye as either cruel or remorseful but not both simultaneously , one can similarly ...
Page 315
... perception of and response to Paradise , 124-35 passim , 176-77 , 183-86 , 192-94 ; perception of Eve as modal reality , 200– 201 ; perception of heaven , 179-81 ; percep- tion of Son's elevation as breaking union , 179 ; puns in war in ...
... perception of and response to Paradise , 124-35 passim , 176-77 , 183-86 , 192-94 ; perception of Eve as modal reality , 200– 201 ; perception of heaven , 179-81 ; percep- tion of Son's elevation as breaking union , 179 ; puns in war in ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield