Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 38
... perceive . Again , it is the same object as is perceived in the Galilean - Newtonian frame , but this object is being perceived in a different frame and therefore different aspects of its nature are revealed . Thus , as with the shifts ...
... perceive . Again , it is the same object as is perceived in the Galilean - Newtonian frame , but this object is being perceived in a different frame and therefore different aspects of its nature are revealed . Thus , as with the shifts ...
Page 185
... perceived as powerful or absolute . They distinctly manifest the simultaneous strength and frailty inherent in all beings- including God - living in a reality whose essential nature is reciprocity . If the space of love is perceived as ...
... perceived as powerful or absolute . They distinctly manifest the simultaneous strength and frailty inherent in all beings- including God - living in a reality whose essential nature is reciprocity . If the space of love is perceived as ...
Page 254
... perceived . And although the raw energy perceived in simple relativizing may be “ pri- mary " or " purest , " it is not necessarily the most significant or valuable reality . For primacy in terms of time and space is not the only ...
... perceived . And although the raw energy perceived in simple relativizing may be “ pri- mary " or " purest , " it is not necessarily the most significant or valuable reality . For primacy in terms of time and space is not the only ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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Common terms and phrases
action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield