Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 84
... identification with the absolute is a breaking of the identification with the self and with the despair that in the hero's first fall is an attachment to the self , to the ego . He gains distance in the second plot from his guilty act ...
... identification with the absolute is a breaking of the identification with the self and with the despair that in the hero's first fall is an attachment to the self , to the ego . He gains distance in the second plot from his guilty act ...
Page 89
... identification like tragedy , but in it the reader's identification with human being as a substance is broken down , just as are his / her identifications with God , Satan , ideology , anger , and pain . Identifications with an absolute ...
... identification like tragedy , but in it the reader's identification with human being as a substance is broken down , just as are his / her identifications with God , Satan , ideology , anger , and pain . Identifications with an absolute ...
Page 307
... Identifying dynamic Identifying dynamic , 195–96 , 238 ; as result of Eve's fall , 209. See also Identification Identity , 51 , 189 ; disjunction in , 30 ; evolution- ary , 260 ; loss of , 187 ; of object of percep- tion , 28-29 , 30 ...
... Identifying dynamic Identifying dynamic , 195–96 , 238 ; as result of Eve's fall , 209. See also Identification Identity , 51 , 189 ; disjunction in , 30 ; evolution- ary , 260 ; loss of , 187 ; of object of percep- tion , 28-29 , 30 ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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Common terms and phrases
action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield