Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 38
... frame , but this object is being perceived in a different frame and therefore different aspects of its nature are revealed . Thus , as with the shifts discussed earlier , a tonal shift signals a shift into the third space - the ...
... frame , but this object is being perceived in a different frame and therefore different aspects of its nature are revealed . Thus , as with the shifts discussed earlier , a tonal shift signals a shift into the third space - the ...
Page 40
... frame and the imaginative frame in such devices discussed above as the giant devils ' " wondrous " change in size and the placing of Galileo in the simile space for several reasons . He wishes to call into question the supremacy of the ...
... frame and the imaginative frame in such devices discussed above as the giant devils ' " wondrous " change in size and the placing of Galileo in the simile space for several reasons . He wishes to call into question the supremacy of the ...
Page 62
... frame , a frameless frame , the frame of the third space of incipiently self - conscious mind . Of course , it is difficult to represent pure frame , yet some instances of Milton's aesthetic distancing give the reader the experience of ...
... frame , a frameless frame , the frame of the third space of incipiently self - conscious mind . Of course , it is difficult to represent pure frame , yet some instances of Milton's aesthetic distancing give the reader the experience of ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield