Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 54
... forces as anger and pain and the issues arising from them , and the frame is maintained by virtue of an unconscious identification with these forces . The redefinition of such ideology into psychic forces is not a destructive and ...
... forces as anger and pain and the issues arising from them , and the frame is maintained by virtue of an unconscious identification with these forces . The redefinition of such ideology into psychic forces is not a destructive and ...
Page 85
... forces flowing around and against the self into the more everyday forms of beauty . In Oedipus Rex this tragic paradigm is not fully and clearly realized . The second plot - the psychic as opposed to the narrative plot — is embryonic ...
... forces flowing around and against the self into the more everyday forms of beauty . In Oedipus Rex this tragic paradigm is not fully and clearly realized . The second plot - the psychic as opposed to the narrative plot — is embryonic ...
Page 284
... forces to restore stability to the view of the universe and a measure of peace to the mind . Paradoxical solutions such as Nicholas de Cusa's " God is a circle whose center is everywhere and whose circumference is nowhere " are ...
... forces to restore stability to the view of the universe and a measure of peace to the mind . Paradoxical solutions such as Nicholas de Cusa's " God is a circle whose center is everywhere and whose circumference is nowhere " are ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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Common terms and phrases
action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield