Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 118
... countering , attached to neither . This countering is necessary because there are aspects of many of the similes discussed that are dangerously ambiguous if left to themselves . One must beware of slipping in the fluidity of yearning ...
... countering , attached to neither . This countering is necessary because there are aspects of many of the similes discussed that are dangerously ambiguous if left to themselves . One must beware of slipping in the fluidity of yearning ...
Page 237
... countering process to an extreme degree that makes the strip- ping of sympathic identifications absolute . It is important to be aware that the apocalyptic events do not necessarily fit into any " logical " pattern and are not primarily ...
... countering process to an extreme degree that makes the strip- ping of sympathic identifications absolute . It is important to be aware that the apocalyptic events do not necessarily fit into any " logical " pattern and are not primarily ...
Page 317
... countering of in Michael's education of Adam , 236 . See Concept , conceptual ; Ideology ; Sub- stantiality Third dramatic space , 220 , 223 , 227 Third space : absence of in heavenly mind , 138 , 142 , 145 ; absence of in hell , 145 ...
... countering of in Michael's education of Adam , 236 . See Concept , conceptual ; Ideology ; Sub- stantiality Third dramatic space , 220 , 223 , 227 Third space : absence of in heavenly mind , 138 , 142 , 145 ; absence of in hell , 145 ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield