Milton's Kinesthetic Vision in Paradise LostThe author demonstrates that the apparent contradictions in the poetic, dramatic, and conceptual framework of Paradise Lost are purposive, indeed central, to Milton's kinesthetic poetics. |
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Page 152
... beginning of Book 8 politely says his thirst for knowledge is allayed , his politeness perhaps stems in part from his deference to the superior being . For new doubts follow : " something yet of doubt remains , / Which only thy solution ...
... beginning of Book 8 politely says his thirst for knowledge is allayed , his politeness perhaps stems in part from his deference to the superior being . For new doubts follow : " something yet of doubt remains , / Which only thy solution ...
Page 161
... beginning of Raphael's speech ( 11. 561-70 ) there is a syntactic and logical conflict in pronoun reference . The " she " in " she deserts thee not " would appear to be " wisdom " if the reading sequence runs from the ante- cedent ...
... beginning of Raphael's speech ( 11. 561-70 ) there is a syntactic and logical conflict in pronoun reference . The " she " in " she deserts thee not " would appear to be " wisdom " if the reading sequence runs from the ante- cedent ...
Page 304
... beginning , 110 , 226 , 228 ; paradise within as , 264 Energy , 167 , 179 , 238 ; Adam and Eve's fear of , 169 ; behind creation , 283 , 285 ; of crea- tion , 50 , 285-88 ; in complex relativizing , 98 , 260-61 ; of God circumscribed in ...
... beginning , 110 , 226 , 228 ; paradise within as , 264 Energy , 167 , 179 , 238 ; Adam and Eve's fear of , 169 ; behind creation , 283 , 285 ; of crea- tion , 50 , 285-88 ; in complex relativizing , 98 , 260-61 ; of God circumscribed in ...
Contents
The Poetics of Miltons Counterplot | 25 |
The Meditative Modes | 92 |
A Modal Reading of Paradise Lost | 109 |
Copyright | |
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action Adam and Eve Adam's allow angels anger appearance beauty becomes beginning Book cause complex consciousness countering created creation declension defined described desirer destroy direct discussed disjunctive distance earth energy epic Eve's evil experience expresses fall fallen fear feels forces frame fruit gives heaven hell human identification imagination ironic irony judgment knowledge leads less light lyric meditative Milton mind modal mode motions move movement nature neutrality object pain Paradise Lost passage perceived perception perhaps physical picture pity poem pole possible principle psychic pure Raphael reader reality reciprocity reference relation relativizing represented resonance response Satan says seems sense serves shift similar simile simple spirit stage stars strategy structure sympathic takes thee third space thou thought tion tone tree turns universe vision winds wonder yearning yield