Page images
PDF
EPUB
[merged small][merged small][merged small][ocr errors]
[ocr errors]
[ocr errors]
[ocr errors]
[merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][ocr errors][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][ocr errors][merged small][merged small][ocr errors][merged small][merged small][ocr errors][merged small]

LIFE OF POPE.

17

CHAPTER I.

PARENTAGE AND EDUCATION.

1688-1700.

ALEXANDER POPE was born on the 21st of May, 1688, a year which, in its relation to the character of his genius, and to the direction which under his influence English literature took during the eighteenth century, is full of interest and significance. Seven months later in the same year James II., by his flight from England, left vacant the throne of his ancestors, and severed the links which had hitherto bound the crown to the people. Up to this date the caprice or discretion of the reigning Monarch had been among the most powerful factors in the formation of English taste. Elizabeth and the first three Stuarts had all possessed enough of literary instinct to leave an impress of their character on contemporary poetry, while the Court, as the central institution of English social life, had exercised a controlling influence over every art that addressed itself to the imagination. The painter, the musician, the player (the King's peculiar servant) the University student, made it the object of their respective ambitions to paint the Sovereign's portrait, to solemnise the services in his Chapel, to relieve the tedium of his leisure moments, and to separate his language in as marked a manner as possible from the idiom of the vulgar. Hence, when the legitimate branch of the House of Stuart was excluded from the succession, the hereditary throne

VOL. V.

exchanged for one resting on a Parliamentary title, native sovereigns succeeded by kings who neither understood the language nor shared the sympathies of the people, the same causes which had effected a breach in the continuity of political order, produced also a revolution in the form of literary expression.

With the hereditary Monarchy, declined, if it did not immediately disappear, the spiritual influence which had hitherto moulded the taste and imagination of Society. Though the Reformation had vitally affected the national spirit, the mediæval system of theology, retaining its hold on the institutions of the country, had preserved the old forms of expression with but slight external modifications. Elizabeth and her two immediate successors, strongly Anglican in their principles, leant to the ceremonial of the ancient Church: Charles II. and James II. were secret or avowed Roman Catholics: the Universities kept up in their lectures and disputations all the framework of the scholastic logic. In a thousand subtle ways the education of the country was affected by modes and methods of thought having their roots in the old forms of religion. A Revolution, which had for its main object the establishment of a Protestant dynasty, necessarily produced a corresponding effect on the hitherto unbroken tradition of Catholic scholasticism.

This scholasticism had been faithfully reflected in the poetry of the seventeenth century. It had mixed itself even with the Puritanism of Milton, who, in his 'Paradise Lost,' as Pope afterwards said with justice, often makes 'God the Father turn a school divine.' The controversy between the Churches had formed the argument of Dryden's 'Hind and Panther,' as the general religious uncertainty of the times had found expression in his 'Religio Laici.' Most of all had the spirit of the schools influenced that remarkable series of poets from Donne to Cowley, generally known by the title of 'metaphysical,' in whose works, as in a mirror, may be seen, at their last ebb, the play of the time-honoured ideas which had once inspired the fancy of medieval Europe. On the other hand, the forms

« PreviousContinue »