EPISTLE VI. To Mr. MURRAY. N OT to admire, is all the Art I know, To make men happy, and to keep them so." (Plain Truth, dear MURRAY, needs no flow'rs of speech, So take it in the very words of Creech.) ► This Vault of Air, this congregated Ball, Self-center'd Sun, and Stars that rise and fall, There are, my Friend! whose philosophic eyes Look thro', and trust the Ruler with his skies, To him commit the hour, the day, the year, And view this dreadful All without a fear. 5 10 Admire we then what d Earth's low entrails hold, Arabian shores, or Indian feas infold; All the mad trade of Fools and Slaves for Gold? S NOTES. } VER. 10. And view this dreadful All without a fear.] He has added this idea to his text; and it greatly heightens the dignity of the whole thought. He gives it the appellation of a dreadful All, because the immenfity of God's creation, which modern philofophy has so infinitely enlarged, is apt to affect narrow minds, who measure the divine comprehenfion by their own, with dreadful fufpicions of man's being overlooked in this dark and narrower corner of existence, by a Governor occupied and bufied with the sum of things. Ludicra, quid, & plaufus, et amici dona Quiritis ? Quo spectanda modo, & quo fenfu credis et ore? Qui timet his adversa, fere miratur eodem Quo cupiens pacto: pavor est utrobique molestus: Improvisa simul species exterret utrumque : Gaudeat, an doleat; cupiat, metuatne; quid ad rem, Si, quidquid videt melius pejusve sua spe, * Insani sapiens nomen ferat, aequus iniqui; Ultra quam fatis est, virtutem si petat ipsam. m 1 I nunc, argentum et marmor vetus, aeraque et artes Suspice: cum gemmis Tyrios mirare colores: NOTES. VER. 21. In either cafe, believe me, we admire;] i. e. These objects, in either cafe, affect us, as objects unknown objects unk affect the mind, and confequently betray us into false judgments. VER. 22. Whether we joy or grieve, the same the curse, Surpriz'd at better, or surpriz'd at worse.] The elegance of this is fuperior to the Original. The curse is the same 1 Orf Popularity? or Stars and Strings? If weak the pleasure that from these can spring, Thus good or bad, to one extreme betray 1 Go then, and if you can, admire the state NOTES. 15 20 25 30 (says he) whether we joy or grieve. Why so? Because, an either cafe, the man is furprized, hurried off, and led away captive. (The good or bad to one extreme betray Th' unbalanc'd Mind, and snatch the Man away.) This happy advantage, in the imitation, arises from the ambiguity of the word surprize. Gaude, quod spectant oculi te mille loquentem: Gnavus P mane forum, et vespertinus pete tectum; Ne plus frumenti dotalibus emetat agris Mutus et (indignum; quod fit pejoribus ortus) Hic tibi fit potius, quam tu mirabilis illi. Quicquid fub terra est, in apricum proferet aetas; 1 Defodiet, condetque nitentia. cum bene notum Porticus Agrippae, et via te confpexerit Appi; Ire tamen restat, Nuina quo devenit et Ancus. * Si latus aut renes morbo tentantur acuto, If not so pleas'd, at Council-board rejoice, 35 But wherefore all this labour, all this strife? For Fame, for Riches, for a noble Wife? Shall One whom Nature, Learning, Birth, con spir'd 41 To form, not to admire but be admir'd, w Rack'd with Sciatics, martyr'd with the Stone, Will any mortal let himself alone? See Ward by batter'd Beaus invited over, There all Men may be cur'd, whene'er they please. 50 55 |