Literature as Experience |
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Page 64
... characters - the in- tegrated and the unintegrated . When the characters in a literary work are true to type , thoroughly uniform and consistent in their behavior , the work is likely to be allegorical . Characters in most farces and ...
... characters - the in- tegrated and the unintegrated . When the characters in a literary work are true to type , thoroughly uniform and consistent in their behavior , the work is likely to be allegorical . Characters in most farces and ...
Page 223
... characters in action may be submerged in the life of the characters themselves , so that we are not consciously aware of the personality of the writer . Such a playwright lets the characters " speak for themselves , " pointing the way ...
... characters in action may be submerged in the life of the characters themselves , so that we are not consciously aware of the personality of the writer . Such a playwright lets the characters " speak for themselves , " pointing the way ...
Page 269
... characters are relatively simple as human beings ( not , however , to be criticized on that score ) , Saroyan can let them look at life in large terms , simply , cutting through complications which more complex characters would have to ...
... characters are relatively simple as human beings ( not , however , to be criticized on that score ) , Saroyan can let them look at life in large terms , simply , cutting through complications which more complex characters would have to ...
Contents
The Individual and Experience | 3 |
The Physical Nature of the Individual | 15 |
Adaptive and Emotional Behavior | 29 |
Copyright | |
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Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen No preview available - 2021 |
Literature as Experience Wallace a 1914- Bacon,Robert S Joint Author Breen No preview available - 2021 |
Common terms and phrases
action actual aesthetic alliteration attitudes become begins behavior called chapter characters close communication Company course critic death describe discussion effect emotions example experience expression eyes fact feel fiction figure gestures GIRL give hand human images imitation individual interest interpretation kind King knowledge language less light limited literary literature living look matter meaning mind moved movement nature never object observe oral particular pattern perhaps personality play poem poet poetry point of view possible present Press prose reader reading response scene seems sense simply snake social sound speak speaker speech story stress suggested symbolic talk tell thing thought tion true understanding University verse voice whole writer written York YOUNG