Literary Criticism: Pope to CroceGay Wilson Allen, Harry Hayden Clark |
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Page 208
... passion ; he will feel that there is no necessity to trick out or to elevate nature : and , the more industriously ... passion as that which the real passion itself suggests , it is proper that he should consider himself as in the ...
... passion ; he will feel that there is no necessity to trick out or to elevate nature : and , the more industriously ... passion as that which the real passion itself suggests , it is proper that he should consider himself as in the ...
Page 234
... passion is not to create ; but to set in increased activity . At least , whatever new connections of thoughts or images , or ( which is equally , if not more than equally , the appropriate effect of strong excitement ) whatever ...
... passion is not to create ; but to set in increased activity . At least , whatever new connections of thoughts or images , or ( which is equally , if not more than equally , the appropriate effect of strong excitement ) whatever ...
Page 577
... passion " would seem to have no conception of any passion but one . Yet there are several other passions : the passion of grief , the passion of avarice , the passion of pity , the passion of ambition , the passion of hate , the passion ...
... passion " would seem to have no conception of any passion but one . Yet there are several other passions : the passion of grief , the passion of avarice , the passion of pity , the passion of ambition , the passion of hate , the passion ...
Contents
ALEXANDER POPE | 1 |
JOSEPH ADDISON | 24 |
FRANÇOIS MARIE AROUET DE VOLTAIRE | 35 |
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action admirable Aeschylus aesthetic Alexander Pope ancient appears artist beauty BIBLIOGRAPHY TEXT century character Charles Lamb classical Claude Bernard Coleridge comedy comic common divine drama Edgar Allan Poe English epic essay Euripides expression eyes fact fancy feeling fiction French Friedrich Schlegel genius give Goethe Greek Homer human idea ideal Iliad imagination imitation intellect judge judgment language laws less Literary Criticism literature living London lyric Madame de Staël manner matter means mind modern Modern Language Association Molière moral nation nature never novel novelist object observation painting Paris passion person philosophy pleasure poem poet poetic poetry Preface principle produced prose reader reason romantic romanticism rules Sainte-Beuve Schiller sense sentiments Shakespeare soul speak spirit taste theory things thought tion tragedy translation true truth University verse vols Voltaire Walter Pater whole words writing York